Skip to main content

Leaders at Faust: An Interview with Ronja Wahlstrom

I love teaching drama and directing stories. It is very rewarding to see children finding their skill set within the world of theatre..." 



During this period, we would like to share with you a series of interviews with our leaders and other creative members in our community.

Ronja is one of our Group Leaders at Faust. Growing in Sweden, Ronja specialised in physical theatre at Nordiska Folkhogskolan in Gothenburg and then started working for Teater Albatross, where she directed various productions. In 2012 she moved to London and got her BA (Hons) in Performing Arts at Kingston University and studied more classical theatre such as Stanislavski, Shakespeare, Chekhov and Meisner. 

Before joining Faust, Ronja taught drama both in Sweden and London for all ages. During her last year at Kingston she was Head of Children’s Drama Classes where she also taught for a year. Her wide knowledge from traditional drama to physical theatre, gives her a broad spectrum and interesting content for her workshops.


What current creative projects are you working on now that you would like to share?

Since workshops are not running at the moment, I have been doing charity work in Pui O with free drama workshops to raise money for cancer awareness. I am also exploring how to adapt teaching Stanislavsky, Meisner and Chekhov’s acting techniques to children aged 8 to 11 in a fun, simplified and creative way.


What impact did drama have on you growing up on your confidence?
I was never good at anything in school and it made me feel really stressed about the future. We didn't have drama classes in school where I grew up so I never really knew that this was my passion. I would spend my days off making up stories, dressing the neighbors kids up in costumes and directing stories with them for fun. As a 15 year old, we did a short play in school and my teacher said "You should be an actor Ronja". I was shocked, and had never thought of drama and acting as a profession.

I started taking after-school drama classes in town and loved it! I grew in confidence and I felt so fulfilled knowing that there was something out there I was good at. I love teaching drama and directing stories, it is very rewarding to see children finding their skill set within the world of theatre and I truly believe it's something for everyone to find in it.

Ronja in action during a performance of Poetry Planet from Faust's Touring Theatre team (Kennedy School, January 2020)

Who are your heroes and inspirations?
I have been very fortunate to work with some truly amazing teachers and directors in my time. For me, they are my heroes. They aren’t well-known in the world, but they guided me to where I am today and I am very grateful for that.


What’s your favourite Faust moment?
When a mother came up to me to apologize for her naughty son. I then said, truthfully, that I haven't had a single problem with her son and actually he is a brilliant actor. She then teared up and shared that she never had such positive feedback from a teacher before. 


A short personal message for your students here:
Thank you for being patient with us during the school closure period. We all can't wait to start up the drama workshops again and we are very excited about Term 3! In the meantime, I hope you are all safe and enjoying as much as you can. Load up with lots of ideas for when we start up the workshops again, and we will see you then!





Comments

Popular posts from this blog

Creative Leaders - An Interview with The Team behind Hong Kong Live Play Readings

Today we have an interview with the team responsible for Hong Kong Live Play Readings, bringing actors in the US and HK together to perform plays online.  Could you let us know who you are please? We are Rebecca J Merritt and Davina Lee Carrete and we are freelance artists in Hong Kong. You both run Hong Kong Live Play Readings – a group on Facebook. And can you let us know how HKLPR got started ? Davina:  Rebecca told me about her actor friends in the US reading plays together online and I said we should do that here! We created a Facebook group, added performers we know in Hong Kong and Rebecca then invited her pals in the US. We have been reading together for the last month. Rebecca:   Davina actually mentioned to me she wanted to read some plays online with friends and has been doing that to test scripts and projects for Treasure Chest Theatre once the Pandemic ends. I mentioned it in my stories and then my friend who’s an actor in Chicago added me to his rea

Creative Leaders - Kat Roma Greer

"This journey made me realise that there are many, many ways to contribute to the arts  landscape – you’re not a failure, you just need to find the one that best works for you." During this period, we would like to share with you a series of interviews from our leaders, other creative members in our community and behind the scene glimpses of our youth theatre. Kat Roma Greer is the founder of Micro Galleries, a free global arts initiative and virtual creative hub that uses art as a vehicle to create positive social change. This includes creative interventions in public spaces, workshops, art tours and more, working together with communities who are in some kind of social or creative need. Kat is also a former Faust Leader who led our teen programmes almost a decade ago. Caught in the act in Kathmandu, Nepal Secret Origins I grew up in a pretty low socio-economic area in Australia. It was a sport-focused town, and I  even went to a sports high school, but weird

Mad About Hamlet

Stage Group has had the privilege of performing some of the world’s best-known plays including The Crucible, Waiting for Godot, The Tempest, Romeo & Juliet, King Lear and more. After 3 years of masked performances, we are thrilled to bring you an unmasked performance of Hamlet at the Hong Kong Arts Centre from April 27 th to 29 th 2023 .   Everybody has heard of Hamlet - most people can probably identify him as “that guy who thinks too much and holds a skull” or characterise the play as “the one where everybody dies at the end.” However, Hamlet is also considered a significant, serious piece of literature with ever growing literary criticism, reinterpretations, homages, references and parodies.    In our adaptation of Hamlet, we have decided to strip down the tragedy to its core and let the characters breathe and be recognised as fallible, strange and relatable humans. We also wanted to play with the play, taking big creative swings with our interpretation.  The play has