Skip to main content

Peter and the Wolf (Touring Theatre)


Peter and the Wolf

Peter and the Wolf is a show that has been toured and performed by Faust for ten years in different forms. We’re so passionate about this piece, and in this article, we wanted to explain what amazing insights students and audience members can gain from the show!

The piece is performed by three professional actors and a technical operator with set props and music all provided by Faust.

Faust's Peter and the Wolf; Faust; Touring Theatre; Youth Theatre; Performance


Drama and Classical Music

Peter and the Wolf was originally a piece of radio drama to introduce children to the magic of classical music. Each of the instrument groups represents a character in the story. In our version, a little girl finds and listens to the original version on a record player. Our cast then act out the dramatic tale with the music to bring the story to life. We hope that the production will make classical music more accessible to your students and show them how art different performance art forms can combine.


Costume, Comedy and Puppets

The production is also comic in tone and has many visual gags that students will love. There are some costume changes and creative use of props and set that will lead interesting discussions for after the show in class about what elements are needed to make a theatre production. Some puppet animals are used in the production and showcase some different styles used by the performers for dramatic effect.


Multi-role
 Acting

In the piece, the three performers play many different roles in the production. A great topic to discuss after the play is how the performers used their bodies to create different animal and characters. There are also lots of different voices used by the performers in the play. A fun idea might be to get your students to recreate some of the voices used in the production and send them off into groups to act this out.


Peter and the Wolf
is a howlingly wonderful tale that your students will love. It harbours a love for classical music, performance and most of all it is roaringly good fun for all!


For teachers and schools, if you have any questions about getting Peter and the Wolf into your school please contact Matthew Baker at TouringTheatre@FaustWorld.com or call 2547 9114.

Faust's Peter and the Wolf; Faust; Touring Theatre; Youth Theatre; Performance





Comments

  1. Thanks a lot for sharing a great content!
    Enhance your meeting security with our cutting-edge spy audio recorder. Safeguard your discussions and boost productivity effortlessly. Your secret weapon starts here.

    ReplyDelete

Post a Comment

Popular posts from this blog

Talking Godot - Thoughts from Director Peter Reid

Talking Godot. Peter Reid, the director of the production of Waiting For Godot shares with us his notes on the characters and the play in-depth.  Samuel Beckett's  Waiting for Godot  was first performed at the Théâtre de Babylone, Paris on January 5th 1953 under the title 'En attendant Godot'. Originally subtitled "a tragicomedy in two acts" and famously labelled ‘a play in which nothing happens, twice’, audiences continue to debate social, political, philosophical and theological interpretations of the text which was voted most significant English language play of the 20th century in a poll by the Royal National Theatre in 1990. Waiting for Godot opens on Wednesday, October 24th at Drama Theatre, HK Academy for Performing Arts. For ticketing and further details, please visit https://premier.hkticketing.com/shows/show.aspx?sh=WAITI1018. Act One POZZO: Who is Godot? GOGO: Godot? POZZO: You took me for Godot. DIDI: Oh! No Sir. ...

Mad About Hamlet

Stage Group has had the privilege of performing some of the world’s best-known plays including The Crucible, Waiting for Godot, The Tempest, Romeo & Juliet, King Lear and more. After 3 years of masked performances, we are thrilled to bring you an unmasked performance of Hamlet at the Hong Kong Arts Centre from April 27 th to 29 th 2023 .   Everybody has heard of Hamlet - most people can probably identify him as “that guy who thinks too much and holds a skull” or characterise the play as “the one where everybody dies at the end.” However, Hamlet is also considered a significant, serious piece of literature with ever growing literary criticism, reinterpretations, homages, references and parodies.    In our adaptation of Hamlet, we have decided to strip down the tragedy to its core and let the characters breathe and be recognised as fallible, strange and relatable humans. We also wanted to play with the play, taking big creative swings with our interpretation....